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Decision Point Five

15 January, 2016 - 09:08
Available under Creative Commons-ShareAlike 4.0 International License. Download for free at http://cnx.org/contents/05c97be4-3ad0-47f2-b5a7-a75d0ad90ab7@3.72

Decision Point Five

  • Ruth Ibarra (from Quality Assurance) has seen Shirley Reddick resealing chips without the authorization stamp. Ibarra has asked Gooderal to find out what's going on. When Gooderal asks LaRue, he replies, "None of your damn business." Shortly after this, Gooderal receives a phone call from Jim Temple, one of her superiors, telling her to come to his office. Temple informs Gooderal in no uncertain terms that she needs to back down. "You are doing it again. You are not part of the team, running to Quality with every little problem." When Gooderal insisted she did not "run to Quality" but Quality came to her, Temple replies, "Shape up and be part of the team if you want your job."

Dialogue

  • Construct a dialogue in which Gooderal reacts to Temple
  • Consider the following issues in constructing your dialogue:
  • Is Temple harassing Gooderal? (How do we define "harassing" in this context?)
  • Should Gooderal prepare for the possibility of being fired? How should she do this? What are her legal options at this point?

Debriefing for Decision Point Five

  • Each drama point revolves around one or more conflicts. What is the conflict in your drama point. How did you play this conflict out through your dramatization?
  • Your drama takes place over a socio-technical system. Look at the above table. What are the key values at play in the Hughes STS? How did these values enter into your dramatization? For example, did a value conflict drive and confrontation between characters in your dramatization? Think, in this section, about how the STS and its values enter into your dramatic portrayal of the events in this case.
  • What kind of narrative form did your drama take on? Was it a tragedy? A comedy? A story with a happy ending? Something else? What is it about the case that led you to pick the narrative form that you did?
  • Finally, did you learn anything about the case by constructing and acting out your drama? What was it? What is different about these dramatic rehearsals in comparison with other learning activities you have undergone this semester?