In Western music, there are twelve pitches within each octave. (The thirteenth note starts the next octave.) But in a tonal piece of music only seven of these notes, the seven notes of a major or minor scale, are used often.
In a pentatonic scale, only five of the possible pitches within an octave are used. (So the scale will repeat starting at the sixth tone.) The most familiar pentatonic scales are used in much of the music of eastern Asia. You may be familiar with the scale in the following Figure 4.49 as the scale that is produced when you play all the "black keys" on a piano keyboard.
Listen to the black key pentatonic scale. Like other scales, this pentatonic scale is transposable (Section 6.4); you can move the entire scale up or down by a half step or a major third or any interval you like. The scale will sound higher or lower, but other than that it will sound the same, because the pattern of intervals between the notes (half steps, whole steps, and minor thirds) is the same. (For more on intervals, see Half Steps and Whole Steps and Interval. For more on patterns of intervals within scales, see Major Scales and Minor Scales.) Now listen to a transposed pentatonic scale.
But this is not the only possible type of pentatonic scale. Any scale that uses only five notes within one octave is a pentatonic scale. The following pentatonic scale, for example, is not simply another transposition of the "black key" pentatonic scale; the pattern of intervals between the notes is different. Listen to this different pentatonic scale.
The point here is that music based on the pentatonic scale in this Figure 4.49 will sound very different from music based on the pentatonic scale in the Figure 4.51, because the relationships between the notes are different, much as music in a minor key is noticeably different from music in a major key. So there are quite a few different possible pentatonic scales that will produce a recognizably "unique sound", and many of these possible five-note scales have been named and used in various music traditions around the world.
To get a feeling for the concepts in this section, try composing some short pieces using the pentatonic scales given in Figure 4.49 and in Figure 4.51. You may use more than one octave of each scale, but use only one scale for each piece. As you are composing, listen for how the constraints of using only those five notes, with those pitch relationships, affect your music. See if you can play your Figure 4.49 composition in a different key, for example, using the scale in Figure 4.50 .
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